To stage an idea is like turning a scene until the image and the idea are superimposed. Creating an installation that reach your goal is like finding the 3-digit code of a lost suitcase. It provides a sense of accuracy, clarity and significant inner satisfaction.
Creating an inhabited installation imposes a distortion of the immediate environment and time. A silent round or a frenetic dance often accompanies this privileged moment in which improvisation crowns intuition.

- Observation, shapes, sounds and colors precedes the questions.
- Then the diplomacy of the material leads to the assembly.
- Finally, only the right note provides contemplative pleasure.

The paths of creation are often so intimate that the destination remains unclear to the outside world. Porosity can be a saving ally here.
An installation can be contextual or material, minimal or huge... but the emotion must guide the view of the observer.


I am a beginner on this subject but I intend to grasp the subtleties ...